Solar eclipse maestro exposure table
(Rtd.) nor this blog can give justice to the suffering, devotion, spirtuality and creativity of Muthu Thanadvar. Neither the wikipedia nor the book ANOTHER GARLAND (Biographical Dictionary of Carnatic Composers & Musicians) By N. Mrs Janaki Krishnamoorthy not only got me the lyrics, but also his biography written by a few people.
SOLAR ECLIPSE MAESTRO EXPOSURE TABLE MOVIE
( A lot of Tamil movie songs as examples)Īfter repeated listening to a beautiful rendition of aru marundoru (by Sanjay S), I get caught up on the lyrics. I will end with a segment on Isai payanam by Charulata Mani. We have Shyama Sastry's dEvI nI pAdasArasamulE by TN seshagopalan in audio clip. Violin Masteros Mysore Manjunath, AlapanaĪnd Swaraprastharas in Kambhoji for Sri Dikshithar kriti: Violin maestrosĪn young violin player Kamalakiran Vinjamuri playing Evari Mata composed by ThyagrajaĪll women instrumental concert in pallavi 2009, had perfomed O Ranga Saye composed by Thuygaraja. Jyotsana Srikanth in different speeds of Ata Tala Varanams Prince Rama Varma is singing Swathi Tirunal's Sarasijanabha (Ata Thaala Varnam ) in Kamboji Now we have Sanjay Subramaniyan singing Dhandapani Desikar's aDiyEnai kAdaruLvAi - in khAmbOji. (with what else Sri.Subramanyaya by the Sanskrit Scholar and Composer Dikshitar on Kambhoji )ĭr.Nagavalli Nagaraj & Ranjani Nagaraj-Sri.Subramanyaya-Dikshitar-Kambhoji
SOLAR ECLIPSE MAESTRO EXPOSURE TABLE SERIES
I will start with Raga Lahiri series with Vidhushi Ranjani Nagaraj and her mother Dr. Instead I will provide video clips of songs composed by different composers on kambodhi in vocal, instrumental, experienced and the upcoming artists. There are more qualified people or/and musically knowledgeable people who can take about the aarohanam, avarohanam and the subtle nuances. Lakshmi Rangarajan and Ms.Subhiksa RangarajanĢ5) Charumathi Ramachandran and Subasri RamachandranĪfter listening to aru marundoru in Kambodhi (or Kamboji) by Sanjay S, I was mesmerized by this raga again. Any way here are the music concerts for you to enjoy (Thanks to Mr. My own feeling is more akin to the rasika number 2 (take what ever you feel is good and leave out the rest). "From a ton of ore, you get a couple of grams of gold, rest mere dust" It is the fundamental mistake of the organizers of Margazhi mahothsav.It is unfortunate that the musicians are made the scapegoat with sheepish look. "To ask a musician to explain Tatvam Asi or advaitha concept is like asking for the recipe of badir bheni or bisi bela holi to a table waiter or expecting a bookshop salesperson to explain cardiac arrythmyas or principles of rocket propulsion. I now list one of the common criticisms raised by one rasika: While thematic concerts seem like a novel idea, there could be drawbacks. Themes varied from "tatvam", "Ganesha", "Krishna", "bhajana pantha", "aayul, arogyam", "Hariyum and Haranam", "Kaalam or Time" and "All/Different Bharathi's compositions", "Namasivaya", "Vel Murugan nama sankeerthanam", "Nine Types of Bhakthi", "Thyaga Ragas", "Krishna Leelai", "Utsava Sampradaya Kritis", "Oothukaadu Venkata Kavi". Narayan has articulated this view here - Thanks to veeyens for sharing this) I talk about music and concerts, not because I am an expert (I am a novice in music appreciation at best) but a sheer joy of sharing some of the pleasures of listening. I think each artists takes up a theme and brings his/her music talents to amplify the theme. One of the concert series I listen to is the Thematic music Concert series (Margazhi Mahotsavam series broadcast by Jaya TV). During this time, I take great comfort in listening to the music season in Madras. With the howling cold wind, with sub zero temperatures and snow falling, luckily I have had some "free" time between semesters.
Krishnamoorthy) and does not reflect the views of Pallavi or its executive members)
(The opinion expressed in this blog belongs to the author (Mukkai S.